
A Conversation With Geoff Dyer
by Illuminations: The Chancellor's Arts & Culture Initiative
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Regarding The Last Days of Roger Federer, Geoff asks: How and when do artists and athletes know that their careers are coming to an end? What if the end comes early in a writer’s life? How to keep going even as the ability to do so diminishes? Geoff sets his own encounter with late middle age against the last days and last works of writers, painters, musicians, and sports stars who’ve mattered to him throughout his life. He considers Friedrich Nietzsche’s breakdown in Turin, Bob Dylan’s reinventions of old songs, J. M. W. Turner’s proto-abstract paintings of blazing light, Jean Rhys’s late-life resurgence, John Coltrane’s final works. Ranging from Burning Man to Beethoven, from Eve Babitz to William Basinski, from Annie Dillard to De Chirico, Dyer’s study of last things is also a book about how to go on living with art and beauty — and the sudden rejuvenation offered by books, films and music discovered late in life. Praised by Tom Bissell as “perhaps the most bafflingly great prose writer at work in the English language today,” Dyer has now blended criticism, memoir, and badinage of the most serious kind into something entirely new. The Last Days of Roger Federer is a summation of Dyer’s passions, and the perfect introduction to his sly and joyous work.
Where
Humanities Gateway 1030
University of California, Irvine, Irvine, CA 92697, United States
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